By Ilona
This was a great movie. I have not seen "
Slumdog Millionaire" but it must have been something to out-do this film. Of course Meryl
Streep was excellent. But all three main actors were fabulous. Also, to me, having been raised Catholic (no longer practicing), it made me realize how in the 60's the Catholic Church was so male dominated. Having some very strong women (nuns) as teachers, I could only imagine how frustrating this must have been. This movie really demonstrated that issue, as much as the sexual abuse theme. The movie also had a lot of symbolism. It was like watching a great play. Definitely a 10 out of 10 on the
Lund family scale
By Chuck
Definitely the best movie of all the 2008 group (although I haven't seen "Slumdog" yet).
What a great movie--to be able to so successfully interweave and display the social, cultural-religious and personal pressures impacting the main characters.
Meryl Streep plays a flinty and unforgiving headmistress-nun of a Catholic Middle school in the 1960's. I loved asking Ilona questions during the movie (which she was patient enough to answer); she attended catholic parochial schools during that same period.
The beginning dramatic interest--that of whether a priest had molested a male student--was soon replaced by how successful Streep's character would be in getting rid of the priest, and ultimately by the unfolding of the desolate nature of her own soul. Without giving away the ending, the punchline of the movie has little to do with the doubts/allegations about the priest's misconduct, and much more to do with the motivations and inner demons of the nun as she pursues the priest's ouster.
The most important impact of the movie to me is that, despite the portrayal of the nun's inhumanity, I wound up caring about all of the characters, especially Streep's. Streep once again portrays her brilliance as an actress. For instance, in the scene where the mother of the presumed victim pleads with Streep to protect his anonymity, Streep, as in her countless other roles, uses a fleeting transformation of facial expression to reveal the most profound emotions, in this case a war of values within her own soul. Stallone/Rocky/Rambo move over,,, Streep can deliver a knockout punch with a mere flick of her "whatever-she-decides-to-use."
To me the great irony of this movie is that I felt joyful at the end, almost the reverse of the desolation of the main character. Perhaps I felt the redemption of Streep's character is more than just implied at the end, or that I truly felt forgiveness for that character, or that I felt so good that the movie did such a great job of everything it tried to do. Whatever the reason, it's the only movie in a long time where I felt like standing up and shouting "YES!! That's right! That's right!"